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Qualität des Beitrags: Beteiligte Poster: Black Dog Forum: UNSERE LIEBLINGSMUSIK aus dem Unterforum: Led Zeppelin Antworten: 1 Forum gestartet am: Sonntag 25.09.2005 Sprache: deutsch Link zum Originaltopic: Jimmy als Produzent Letzte Antwort: vor 18 Jahren, 5 Monaten, 23 Tagen, 18 Stunden, 39 Minuten
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Re: Jimmy als Produzent
Black Dog - 22.05.2007, 08:39Jimmy als Produzent
...in a
Guitar World interview Jimmy takes a stab at Glyn...
> GW: How did you develop the backwards echo at the end of "You Shook Me" ?
> Page: Didn't I tell you about that before? No? Well, I should because
> it's important -- it proves that I pioneered that effect. When I was
> still in The Yardbirds, our producer Mickie Most would always try to
> get us to record all these horrible songs. He would say, "Oh, c'mon,
> just try it.If the song is bad we won't release it". And, of course it
> would always get released [laughs]. During one session, we were
> recording "Ten Little Indians", which was an extremely silly song that
> featured a truly awful brass arrangement. In fact, the whole track
> sounded terrible. In a desperate attempt to salvage it, I hit upon an
> idea. I said, "Look, turn the tape over and employ the echo for the
> brass on a spare track. Then turn it back over and we'll get the echo
> preceding the signal." The result was very interesting -- it made the
> track sound like it was going backwards.Later, when we recorded "You
> Shook Me", I told the engineer, Glyn Johns,that I wanted to use
> backwards echo on the end.
> He said, "Jimmy, it can't be done". I said "Yes, it can. I've already
> done it." Then he began arguing, so I said, "Look, Im the producer. Im
> going to tell you what to do, and just do it." So he grudgingly did
> everything I told him to, and when we were finished he started refusing
> to push the fader up so I could hear the result. Finally, I had to
> scream, "Push the bloody fader up!" And low and behold, the effect
> worked perfectly. When Glyn heard the result, he looked bloody ill! He
> just couldn't accept that someone knew something that he didn't know --
> especially a musician! The pompous git!The funny thing is, Glyn did the
> next Stones album and what was on it? Backwards echo! And I'm sure he
> took full credit for the effect.
>
> GW: What role did your engineers play?
> Page: Glyn Johns was the engineer on the first album, and as I
> mentioned earlier, he had a bit of an attitude problem. I'll tell you
> what he did.He tried to hustle in on a producer's credit. I said, "No
> way, I put this band together, I brought them in and directed the
> whole recording process, I go my own guitar sound -- I'll tell you,
> you haven't got a hope in hell". And then we wend to Eddie Kramer for
> the second album and Andy Johns after that. I consciously kept
> changing engineers because I didn't want people to think that they
> were responsible for our sound. I wanted people to know it was me.
and Later
> One of my favorite mixes is at the end of "When The Levee Breaks",
> when everything starts moving around except for the voice, which stays
> stationary. I'll tell you a funny story about that song. Andy Johns
> did that mix with me, and after we finished it, Glyn, Andy's older
> brother, walked in. We were really excited and told him, "Youve got to
> listen to this". Glyn listened and just said, "Hmmph, Youll never be
> able to cut it. It will never work". And he walked out. Wrong again
> Glyn. He must have been seething with envy.
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